Artist: Jean-Leon Gerome (French, 1824 – 1904)
Title: A powerful Monk Son Eminence Grise (L’Eminence Grise) (Grey Eminence)
Medium: Antique heliogravure on wove paper after the original oil on canvas by a Master Engraver.
Signature: Signed in the plate.
Dimensions: Image Size 6 3/4 x 10 1/8 inches.
Framed Dimensions: Approximately 16 x 19 inches.
Framing: This piece has been professionally matted and framed using all new materials.
L’Eminence Grise recreates the palace of Cardinal Richelieu, the “Red Cardinal,” virtual ruler of France during the childhood of Louis XIII. Descending the staircase is Richelieu’s chief adviser, François Le Clerc du Trembly, a Capuchin friar known as L’Eminence grise (the Gray Cardinal), a term that has come to mean “the power behind the throne.”
Jean-Léon Gérôme was a French painter and sculptor in the style now known as academicism. The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period. He was also a teacher with a long list of students. Despite the discouragement of his goldsmith father, Jean-Léon Gérôme spent a trial period in the studio of a Parisian artist. There he struggled, painting religious cards and selling them on the steps of churches in order to survive. After a few years, he left for Italy. In the late 1840s the French government gave Gérôme a monumental commission to paint the massive Age of Augustus. In preparation for this commission, he traveled extensively in Europe and Asia Minor, documenting the customs of various regions. He spent two years working on the painting, tirelessly perfecting details of the various ethnic groups. With the money realized from this work, Gérôme indulged his wanderlust and spent several months traveling and sketching in Egypt. Gérôme’s highly finished mythological and history paintings were anecdotal, painstaking, often melodramatic, and frequently erotic. For the last twenty-five years of his life, he concentrated on sculpture. His studio became a meeting place for artists, actors, and writers, and he was appointed a professor at the École des Beaux-Arts. Gérôme became a legendary and respected master, noted for his sardonic wit, lax discipline, regimented teaching methods, and extreme hostility to the Impressionists.