Artist: Thomas Gainsborough (English, 1727-1788)
Title: Rustic Children (Cottage Children) (The Wood Gatherers)
Medium: Antique etching on thick wove paper after the original oil on canvas by master etcher A. Masse.
Signature: Signed in the plate.
Dimensions: Image size 7 1/2 x 9 1/2 inches.
Framed Dimensions: Approximately 17 x 19 inches.
Framing: This piece has been professionally matted and framed using all new materials.
This is one of what were called in the eighteenth century “fancy pictures,” representing peasant children in rustic settings and inspired by the Spanish artist Murillo (1617–1682). The sentiment expressed in them was pleasing to Gainsborough’s contemporaries, who seem not to have remarked in the sitters’ hollow-eyed, wistful expressions an undercurrent of deprivation. In 1814 one critic referred to them as the works “on which Gainsborough’s fame chiefly rests.”
Gainsborough was, with Reynolds (his main rival), the leading portrait painter in England in the later 18th century. The feathery brushwork of his mature work and rich sense of colour contribute to the enduring popularity of his portraits. Unlike Reynolds, he avoids references to Italian Renaissance art or the Antique, and shows his sitters in fashionable contemporary dress. He was a founding member of the Royal Academy, though he later quarrelled with it over the hanging of his pictures. He became a favourite painter of George III and his family. He was born in Sudbury, Suffolk, the son of a wool manufacturer. He trained in London, and set up in practice in Ipswich about 1752. In 1759 he moved to Bath, a fashionable spa town, attracting many clients for his portraits. He settled in London in 1774. His private inclination was for landscape and rustic scenes, and his amusing letters record his impatience with his clients’ demands for portraits.