Artist: Bartolomé Esteban Murillo (Spanish, 1617-1682)
Medium: Antique copper etching on wove paper after the original oil on canvas by master etcher Paul Adolphe Rajon (French, 1843-1888).
Dimensions: Image size 5 x 9 inches.
Framed Dimensions: Approximately 14 x 18 inches.
Framing: This piece has been professionally matted and framed using all new materials.
This is Murillo’s most celebrated depiction of a single female figure, a subject rare in his work. The model may be Murillo’s only daughter, Francesca, who became a nun in 1671. This figure’s youth, smile, and lap full of flowers suggest that she is best understood as a personification of Spring- presumably one of a set of four seasons.
Murillo’s career is tied to Seville, the city where he lived and died. He was born in 1617, left an orphan at the age of ten, and raised by his older sister and her husband. His earlier training seems to have occurred in the workshop of Juan del Castillo, a distant relation and well-established local painter. In 1645, Murillo received his first known commission from one of the many local religious institutions of Seville, which were to be the mainstay of his career. During the 1650s Murillo’s fame increased rapidly, and he was employed to make paintings for the Seville Cathedral, which established his preeminent position among the local painters. In 1658, Murillo made a trip to Madrid, which completed the evolution of his style to its characteristic sfumato manner. In the succeeding decade, the artist received one important commission after another, with several churches giving him large cycles of paintings to execute. In addition, he received numerous commissions from individuals, some of whom formed sizable collections of his work. A significant part of his clientele was comprised of Dutch and Flemish merchants in Seville, for whom he painted a small but highly original group of genre scenes.