Artist: Sandro Botticelli (Alessandro di Mariano di Vanni Filipepi) (Italian, 1445-1510)
Title: Venus and Cupids (An Allegory)
Medium: Antique hand pulled copper plate etching on wove paper, after the original tempera and oil on wood by master engraver George Woolliscroft Rhead (British, 1858–1920).
Signature: Signed in the plate lower left.
Dimensions: Image Size 5 x 9 3/4 inches.
Framed Dimensions: Approximately 13 x 18 inches.
Framing: This piece has been professionally matted and framed using all new materials.
The subject may be an allegory of fertility. It may ultimately depend on Botticelli’s Venus and Mars and may once have had a similar function as part of the furnishings of a patrician bedchamber, perhaps installed close to, or over, the bed.
Alessandro di Mariano di Vanni Filipe (Sandro Botticelli) Botticelli was at the heart of the early Renaissance – the new emergence of art in Italy during the fifteenth and sixteenth century. His art was a combination of the Florentine school, a study of the great classic styles and his own inventiveness and flair for the spectacular. Botticelli was born in 1445, and little is known about his early life, though Vasari suggests he was initially trained as a goldsmith. However, by 1470 Botticelli had his own workshop and was gaining significant commission. An important commission was from Lorenzo di Pierfrancesco de’ Medici at Castello, this included the commission for Primavera. His Birth of Venus also ended up at the de ‘Medici’s place in Castello. In 1481, he was summoned by the Pope to contribute to the painting of the Sistine Chapel. After his death, he was overshadowed by the high renaissance genius’s of Raphael, Leonardo and Michelangelo but, his reputation has recovered in recent times as there is great admiration for his masterpieces. His great masterpieces – The Birth of Venus and Primavera are striking in their originality of composition and study. They now rank amongst the greatest works of art.