Artist: Sir Thomas Lawrence (English, 1769-1830)
Title: A Child with a Kid
Medium: Antique etching on thick laid paper after the original oil paint on canvas by master etcher Leon Richeton (French/British, 1854-1934).
Signature: Signed in the plate.
Dimensions: Image size 7 x 10 1/4 inches.
Framed Dimensions: Approximately 16 x 19 inches.
Framing: This piece has been professionally matted and framed using all new materials.
Lady Georgiana was a daughter of John Fane, 10th earl of Westmorland, holder of many government offices, including that of Lord Privy Seal for thirty years. She was the first child of his second marriage in 1800 to the heiress Jane Saunders. This portrait was painted in 1806, while the artist was working on two conventionally grand and sober portraits of her father. It shows the peer’s daughter as a peasant child with a tub of laundry beside a stream, accompanied by a pet kid. This playful conceit may have been devised by her famously witty, not to say eccentric, mother. Georgiana never married and bequeathed the picture to the national collection on her death in 1874.
Lawrence was the leading British portrait painter of the early 19th century, portraying most of the important personalities of the day in his polished and flattering style. He was a child prodigy and largely self-taught; at the age of 10 he was making accomplished portraits in crayon. He was influenced by Sir Joshua Reynolds during his youth; his style developed very little throughout his life. Lawrence was born in Bristol, moved with his family to Devizes and then to Bath. He took to painting in 1786 and became a pupil at the Royal Academy school in 1787; in the following year, at the age of 19, he exhibited his first portrait. In 1794 he became a member of the Academy and Painter-in-Ordinary to the King (George III) on the death of Reynolds in 1792. He was knighted in 1815 and became President of the Academy five years later. He was very successful in commercial terms, and made (and spent) a great deal of money. He was also a collector and formed one of the finest collections of Old Master drawings ever known. In 1818-20 he was in Aachen, Vienna and Rome on behalf of the Prince Regent, making full-length portraits of the allied sovereigns who had contributed to the defeat of Napoleon; these were for the prince’s Waterloo Gallery at Windsor.