Artist: Charles Zacharie Landelle (French, 1821-1908)
Medium: Antique heliogravure on wove paper after the original oil on canvas by master engraver R. Stang (1840).
Signature: Signed in the plate
Publisher: Heliografie d.k.k. milit. georg. Institutes.
Dimensions: Image Size 8 1/8 x 10 inches. Framed dimensions approximately 17 x 19 inches.
Framing: This piece has been professionally matted and framed using all new materials.
Fellahin was the term used throughout the Middle East in the Ottoman period and later to refer to villagers and farmers. Nur-eldeen Masalha translates it as “peasants,”. Fellahin were distinguished from the effendi, or, land-owning class, although the fellahin in this region might be tenant farmers, smallholders, or live in a village that owned the land communally. Others applied the term fellahin only to landless workers. The term fallahin applied to Christian, Druze, Jewish and Muslim villagers. The term fallah was applied to people from several regions in the Middle East, including those of Egypt and Cyprus.
Charles Zacharie Landelle was a French genre painter and portraitist. Born to a modest family, Charles Landelle married in 1857 Alice Letronne, daughter of General guard Jean Antoine Letronne who saved the National Archives in 1848 . From this union were born two son, George and Paul, all died in the lifetime of their father. A niece of Alice Landelle-Letronne, Caroline Januszkiewicz, marry the man of letters Stendhalian Casimir Stryenski . Employee son of the prefecture Laval , he follows in 1827 his father in Paris. He will not return to his hometown at the end of his life. He developed a talent and a very solid job at the École des Beaux-Arts in Paris where he was admitted in 1837 , as a student of Paul Delaroche and Ary Scheffer . Early in his career, he painted several portraits to support herself. Influenced by Italian painting after trips to the South of France and Italy, it makes copies of some paintings of the great Renaissance masters in the Louvre.