Artist: John MacWhirter (Scottish, 1837-1911)
Title: Sir Arthur and Miss Wardour Setting out along the Shore Sunset
Medium: Antique engraving on wove paper after the original by master engraver William Richardson (British, 1847-1860 fl.).
Dimensions: Image Size – 6 7/8 x 10 5/8 inches.
Framed Dimensions: Approximately 16 x 20 inches.
Framing: This piece has been professionally matted and framed using all new materials.
The Antiquary (1816), the third of the Waverley novels by Walter Scott, centres on the character of an antiquary: an amateur historian, archaeologist and collector of items of dubious antiquity. He is the eponymous character and for all practical purposes the hero, though the characters of Lovel and Isabella Wardour provide the conventional love interest. The Antiquary was Scott’s own favourite of his novels, and is one of his most critically well-regarded works; H. J. C. Grierson, for example, wrote that “Not many, apart from Shakespeare, could write scenes in which truth and poetry, realism and romance, are more wonderfully presented.”
John MacWhirter was a Scottish landscape painter. John was the third of four children. One of his elder sisters, Agnes MacWhirter was also a noted artist of still lifes. He attended a school in Colinton, and after his father’s death was apprenticed to Oliver & Boyd, booksellers in Edinburgh. He stayed there for only a few months and then in 1851 enrolled at the Trustees Academy under Robert Scott Lauder and John Ballantyne (1815–97). He spent long periods sketching and studying nature outdoors. His first painting to be exhibited at the Royal Scottish Academy at age 14, was ‘Old Cottage at Braid’. In 1880, he was made an Honorary Member of the Royal Scottish Academy. Exploring and painting abroad he visited Italy, Sicily, Switzerland, Austria, Turkey, Norway and the U.S.A. – the Alps being a great inspiration. He moved to London in 1867 and on 4 May 1893 was elected a Royal Academician. MacWhirter specialised in romantic landscapes with a great fondness for trees, spending much time in the hilly countryside of Perthshire. Initially, under the influence of John Everett Millais, he experimented with the detailed images of the Pre-Raphaelites, but later adopted a more sweeping style. With John Pettie he illustrated Wordsworth’s Poetry for the Young (Strahan, 1863). With Waller H. Paton and others, MacWhirter illustrated the The Poetical Works of Edgar Allan Poe (Hislop, 1869). He married ‘Katie’ Catherine Cowan Menzies (1843-) in 1872, her brother-in-law Rev James McFarlan officiating. The couple lived at 1 Abbey Road, St. John’s Wood in the 1870s, and had two daughters and two sons. MacWhirter has paintings in several British Collections including Royal Holloway University of London, Cheltenham and Derby Art Gallery.