Artist: Sir Thomas Lawrence (English, 1769 – 1830)
Title: The Sir Walter Scott, Bart.
Medium: Antique engraving on wove paper after the original oil on canvas by master engraver John Horsburgh (Scottish, 1791 – 1869).
Signature: Signed in the plate.
Dimensions: Image Size 8 1/8 x 10 inches.
Framed Dimensions: Approximately 17 x 19 inches.
Framing: This piece has been professionally matted and framed using all new materials.
Lawrence was the most fashionable and also the greatest portraitist of his generation. He was made Principal Painter to George III in 1792 after Reynolds’s death, and received occasional commissions; however it was only after 1814 that George IV began to employ him in earnest. The original portrait was commissioned by George IV at a cost of 300 guineas and was begun in London in 1820 and completed in time to be exhibited at the Royal Academy in 1827. It shows the writer seated in an open armchair, holding a pen on his right thigh near which rests his cane, left elbow resting on the chair arm next to a circular table with papers and writing equipment.
Lawrence was the leading British portrait painter of the early 19th century, portraying most of the important personalities of the day in his polished and flattering style. He was a child prodigy and largely self-taught; at the age of 10 he was making accomplished portraits in crayon. He was influenced by Sir Joshua Reynolds during his youth; his style developed very little throughout his life. Lawrence was born in Bristol, moved with his family to Devizes and then to Bath. He took to painting in 1786 and became a pupil at the Royal Academy school in 1787; in the following year, at the age of 19, he exhibited his first portrait. In 1794 he became a member of the Academy and Painter-in-Ordinary to the King (George III) on the death of Reynolds in 1792. He was knighted in 1815 and became President of the Academy five years later. He was very successful in commercial terms, and made (and spent) a great deal of money. He was also a collector and formed one of the finest collections of Old Master drawings ever known.