Artist: Sir Lawrence Alma-Tadema (born Lourens Alma Tadema) (Dutch, 1836-1912)
Title: Portrat Des G. B. Amendola (Portrait of Signor G.B. Amendola)
Medium: Antique woodcut on wove paper after the original oil on canvas by Master Wood Engraver William Biscombe Gardner (English, 1847-1919).
Signature: Signed in the plate.
Publisher: K.K. Farm-And Staatsdruckerei
Dimensions: Image size 10 x 14 1/8 inches.
Framed Dimensions: Approximately 19 x 23 inches.
Framing: This piece has been professionally matted and framed using all new materials.
Giovanni Battista Amendola (1848–1887) was an Italian sculptor from Sarno. He studied in Naples at the Academy of Fine Arts. Much of his work is to be seen in Naples, including a statue of Joachim Murat for the façade of the Royal Palace, a bust of architect Enrico Alvino in the grounds of the Villa Comunale. In Salerno his Pergolesi Dying can be seen at the opera house. He also sculpted the caryatids at the entrance of the Mausoleo Schilizzi in Posillipo. He moved to England, receiving commissions both there and from abroad, with the latter including the well-known bronze of a pensive woman entitled The Dominant Thought, and Wedded (a 21″-high bronze of a young couple). He also produced a seated statuette of Laura Theresa Alma-Tadema.
Alma-Tadema, the son of a Dutch notary, studied art at the Antwerp Academy (1852–58) under the Belgian historical painter Hendrik Leys, assisting the painter in 1859 with frescoes for the Stadhuis (town hall) in Antwerp. During a visit to Italy in 1863, Alma-Tadema became interested in Greek and Roman antiquity and Egyptian archaeology, and afterward he depicted imagery almost exclusively from those sources. Moving to England, he became a naturalized British subject in 1873 and was elected a member of the Royal Academy in 1879. He was knighted in 1899. Alma-Tadema excelled at the accurate re-creation of ancient architecture and costumes and the precise depiction of textures of marble, bronze, and silk. His expert rendering of settings provides a backdrop for anecdotal scenes set in the ancient world. Alma-Tadema’s wife, Laura Epps, was also a painter.