Artist: Jessie Bayes (British, 1876 – 1970)
Title: The Erl King’s Daughter sending Faery servants to their several tasks
Medium: Antique color print after the original.
Signature: Signed in the plate, lower right.
Dimensions: Image Size 6 3/4 x 4 7/8 inches.
Framed Dimensions: Approximately 16 x 14 inches.
Framing: This piece has been professionally matted and framed using all new materials.
The Erlking’s Daughter, Johann Gottfried von Herder introduced this character into German literature in “Erlkönigs Tochter”, a ballad published in his 1778 volume Stimmen der Völker in Liedern. It was based on the Danish folk ballad “Hr. Oluf han rider” “Sir Oluf he rides” published in the 1739 Danske Kæmpeviser. Herder undertook a free translation where he translated the Danish elvermø (“elf maid”) as Erlkönigs Tochter; according to Danish legend old burial mounds are the residence of the elverkonge, dialectically elle(r)konge, the latter has later been misunderstood in Denmark by some antiquarians as “alder king”, cf Danish elletræ “alder tree”. It has generally been assumed that the mistranslation was the result of error, but it has also been suggested (Herder does actually also refer to elves in his translation) that he was imaginatively trying to identify the malevolent sprite of the original tale with a woodland old man (hence the alder king).
Jessie Bayes (b. 1876 Hampstead, London – d. 1970) was a British Arts & Crafts artist who specialized in miniature paintings, illuminated manuscripts, stained glass, iconography and more. In the earlier part of her life, Bayes did not have much technical training in the arts, but was born into a family of artists. She studied under her brother Walter Bayes, who was a well known artist and critic at the time. She was sister to Gilbert Bayes and Emmeline Bayes as well. Her father Alfred Walter Bayes, was an artist who regularly exhibited at the Royal Academy of Arts. In 1906 she became a member of the Royal Society of Miniature Painters, Sculptors and Gravers and in 1908 exhibited at the Royal Academy. She was a part of RMS’s council throughout 1925-1935. One example of her work is the stained glass windows for St. Luke’s Church in Grayshott, Hampshire, England.