Artist: Philip James de Loutherbourg (Philippe-Jacques)(Philipp Jakob)(the Younger)(Franco-British, 1740 – 1812)
Title: Landscape and Figures
Medium: Antique steel engraving on wove paper after the original by Master engraver Frederick James Havell (English, 1801-1840).
Signature: Signed in the plate.
Dimensions: Image Size – 4 3/4 x 7 1/8 inches.
Framed Dimensions: Approximately 14 x 16 inches.
Framing: This piece has been professionally matted and framed using all new materials.
Here we have a ruined castle to recall past times, with architecture indicating the gothic race who raised it: a mill formed among the ruined defences, with its machinery turned by the stream which once filled the fosse, to shew that peace and industry have triumphed; while shrubs and trees, like the vines in the versified conceit of Addison “Anxious to conceal great Bourbon’s crimes,” cover with their thick foliage those rents in the shattered fortress which jarred with the general harmony of the composition. Cattle are drinking or cooling their hoofs in a little pond of quiet water; rustics are removing their well filled sacks from the mill, while a female mendicant with her child lingers on the road feeling the fragrance, perhaps, of the warm new-ground meal, or sensible, like most of the wandering race, of the beauty of the scene around.
Philip James de Loutherbourg was an early Romantic painter, illustrator, printmaker, and scenographer, especially known for his paintings of landscapes and battles and for his innovative scenery designs and special effects for the theatre. First trained under his father, a miniature painter from Strasbourg, about 1755 he worked in Paris under Charles Van Loo, the Tischbeins, and finally Francesco Casanova. He was received into the French Royal Academy of Painting and Sculpture in 1767, and at the official Salon exhibitions he won the praise of Denis Diderot. In 1771 he went to London with an introduction to the actor-manager David Garrick, who hired him in 1773 as his regular adviser on scenic effects at Drury Lane Theatre. Loutherbourg created elaborate Romantic settings that were designed to bathe the entire stage in an atmosphere of picturesque illusion. He worked as a theatrical designer until 1785 and is considered the first to have introduced scrims (gauzes that appear solid or transparent depending on the direction of light) and three-dimensional scenery. He also experimented with coloured media for lighting. His Eidophusikon, a miniature theatre, demonstrated these techniques in a smaller, more controlled environment. He was made a member of the British Royal Academy in 1780. He illustrated Macklin’s Bible and an edition of the works of Shakespeare. His Romantic landscapes influenced J.M.W. Turner and other English artists.