Artist: Jean Louis Ernest Meissonier (French, 1815-1891)
Title: An Artist (A Painter) (Le Peintre)
Medium: Antique engraving on wove paper after the original oil on mahogany by master engraver.
Signature: Signed in the plate
Dimensions: Image size 4 3/4 x 7 1/8 inches.
Framed Dimensions: Approximately 14 x 16 inches.
Framing: This piece has been professionally matted and framed using all new materials.
Meissonier was fond of creating paintings representing artists and musicians of the 17th and 18th centuries. To ensure the authenticity of his paintings, Meissonier often purchased accessories at local costume fairs. The work depicts an 18th-century painter sitting on a low chair in his studio. He appears deeply focused on painting a small canvas on an easel, depicting a mythological scene containing a nymph and a satyr. The artist holds a brush in his right hand and the remaining brushes and a palette are held in his left hand. The artist’s 18th-century clothing transforms the scene into a typical historical genre painting. The mandolin behind the easel and the bust on the wardrobe indicate that the fictional artist has an interest in music and sculpture. Meissonier exhibited the original painting at the Salon in Paris in 1857.
Ernest Meissonier, in full Jean-Louis-Ernest Meissonier was a French painter and illustrator of military and historical subjects, especially of Napoleonic battles. Meissonier studied first under Jules Potier, then in the studio of Léon Cogniet. In his early years Meissonier spent much time making illustrations for the publishers Curmer and Hetzel, but beginning in 1834 (at age 19) he exhibited regularly at the French Salon, and he received the highest official honours from the middle of the 1840s onward. Meissonier, Ernest: 1807, Friedland [Credit: Photograph by dmadeo. The Metropolitan Museum of Art, New York City, gift of Henry Hilton, 1887 (87.20.1)]Most of Meissonier’s paintings are on a small scale and are concerned with military subjects or with genre in a historical setting. Meissonier’s minute and scrupulous technique was largely derived from the study of Dutch painters of the 17th century, but the documentary approach of his preparatory study of costume and armour and of his detailed observation of nature (such as his systematic analysis of the movements of horses) links him with the 19th century. Among his major works are Napoleon III at Solferino (1863) and 1814 (1864), both of which celebrate heroic military campaigns, but he also captured the horrors of conflict in works such as Remembrance of Civil War (1848–49), which depicts the moment when the Parisian insurgents of 1848 were slaughtered on barracades by the Republican Guard.