Artist: Claude Monet (1840 – 1926)
Title: Le Pont d’Argenteuil (The Argenteuil Bridge)
Medium: Antique heliogravure printed in bistre ink, on cream wove paper after the original oil on canvas.
Edition: Limited to 1000 examples
Dimensions: 5 3/4 x 7 3/4 inches
Framed Dimensions: Approximately 16 x 18 inches
Framing: This piece has been professionally matted and framed using all new materials
The original painting depicts the banks of the Seine at the foot of the Argenteuil road bridge, connecting Gennevilliers to Argenteuil, seen from the Quai du Petit-Gennevilliers. On the water, in the foreground, are a catboat and two Argenteuil clippers, pleasure sailboats, anchored near the pontoon of the Cercle de la Voile de Paris (CVP). At the time, between 1850 and 1893, this stretch of the Seine between the Pont d’Argenteuil and the Pont de Bezons was the center of sailing in the Paris region, known as the Bassin d’Argenteuil. The regattas organized during the Universal Exhibitions of 1867, 1878, and 1889 took place on this site. On the right of the painting, the Argenteuil toll road bridge, built in 1822, was destroyed during the war of 1870 and rebuilt from 1871. At the start of the work, a temporary wooden footbridge, which was depicted by Claude Monet and Alfred Sisley in 1872, replaced the old bridge. On the canvas, it is therefore the arches of the new bridge that can be seen with the two towers of the toll station in the background. To the left, the trees are the elms of the quinconces of Argenteuil, a wooded area between the Seine and the Quai de Seine which would become Boulevard Héloïse. The large house in the middle of the trees is a hotel-restaurant.
Claude Monet (1840 – 1926) was a French painter, a founder of French Impressionist painting and the most consistent and prolific practitioner of the movement’s philosophy of expressing one’s perceptions before nature, especially as applied to plein air landscape painting. The term “Impressionism” is derived from the title of his painting Impression, soleil levant (Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris. Monet’s ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883, Monet lived in Giverny, where he purchased a house and property and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899, he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.