Artist: Henry Edridge (English, 1768-1821)
Title: Rue De La Grosse Horloge (Great-Clock)
Medium: Antique Hand Pulled copper plate etching on laid paper after the original by master etcher F. G. Stephens.
Dimensions: Image Size 8 x 11 inches.
Framed Dimensions: Approximately 16 x 19 inches.
Framing: This piece has been professionally matted and framed using all new materials.
The Gros-Horloge (English: Great-Clock) is a fourteenth-century astronomical clock in Rouen, Normandy. The clock is installed in a Renaissance arch crossing the Rue du Gros-Horloge, in Rouen. The mechanism is one of the oldest in France, the movement was made in 1389. Construction of the clock was started by Jourdain del Leche who lacked the necessary expertise to finish the task, so the work was completed by Jean de Felain, who became the first to hold the position of governor of the clock. The clock was originally constructed without a dial, with one revolution of the hour-hand representing twenty-four hours. The movement is cast in wrought iron, and at approximately twice the size of the Wells Cathedral clock, it is perhaps the largest such mechanism still extant. A facade was added in 1529 when the clock was moved to its current position. The Renaissance facade represents a golden sun with 24 rays on a starry blue background. The dial measures 2.5 metres in diameter. The phases of the moon are shown in the oculus of the upper part of the dial. It completes a full rotation in 29 days. The week days are shown in an opening at the base of the dial with allegorical subjects for each day of the week. The mechanism was electrified in the 1920s and it was restored in 1997.
Henry Edridge ARA (1768 in Paddington – 23 April 1821 in London) was the son of a tradesman and apprenticed at the age of fifteen to William Pether, a mezzotint engraver and landscape painter, and became proficient as a painter of miniatures, portraits and landscapes. His first portraits were on ivory, and he subsequently turned to paper with black lead and India ink to which he added very ornate backgrounds, but he later produced a large number of elaborately finished pictures in water colours with light backgrounds. These were followed by others in which he combined the depth and richness of oil paintings with the freedom of water colour drawings. His subjects included Lord Nelson, the explorer Mungo Park, the Methodist missionary Thomas Coke, the Prime Minister William Pitt and John Wesley at the age of 88. Sir Joshua Reynolds was so taken with one of his miniatures, that he insisted on having it and paid him handsomely for it. This was the sign for Edridge to abandon engraving and become a painter. He did wisely in copying many of the works of Reynolds for study. He first established himself in Golden Square and in 1801 moved to Margaret Street, Cavendish Square, where he remained for twenty years. With the desire to indulge his taste for landscape painting, which he cultivated under Thomas Hearne, he made two excursions to Normandy and Paris, in 1817 and 1819, producing many interesting drawings which were subsequently exhibited. Three of his landscapes are now in the South Kensington Museum, and his sketches on the first Lord Auckland and of Robert Southey are in the National Portrait Gallery. He became a student at the Royal Academy in 1784 and was elected an associate in November 1820. Unhappily he had but a very short time to enjoy this distinction, for he died from an attack of asthma on 23 April 1821.