Artist: Jean-Leon Gerome (French, 1824 – 1904)
Title: Cleopatra and Caesar
Medium: Antique steel engraving on wove paper after the original oil on canvas by master engraver John Carr Armytage (British, 1802-1897).
Signature: Signed in the plate.
Dimensions: Image 7 1/8 x 10 3/8 inches.
Framed Dimensions: Approximately 16 x 19 inches.
Framing: Please This piece has been professionally matted and framed using all new materials.
Cleopatra and Caesar, also known as Cleopatra Before Caesar, was an oil on canvas painting by the French Academic artist Jean-Léon Gérôme, completed in 1866. The work was originally commissioned by the French courtesan La Païva, but she was unhappy with the finished painting and returned it to Gérôme. It was exhibited at the Salon of 1866 and the Royal Academy of Arts in 1871. Gérôme’s painting is one of the earliest modern depictions of Cleopatra emerging from a carpet in the presence of Julius Caesar, a minor historical inaccuracy that arose out of the translation of a scene from Plutarch’s Life of Caesar and the semantic change of the word “carpet” over time. The work is considered a classic example of Egyptomania. The painting was held by California banker Darius Ogden Mills and remained in the Mills family art collection for over a century until it was sold to a private collector in 1990.
Jean-Léon Gérôme was a French painter and sculptor in the style now known as academicism. The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period. He was also a teacher with a long list of students. Despite the discouragement of his goldsmith father, Jean-Léon Gérôme spent a trial period in the studio of a Parisian artist. There he struggled, painting religious cards and selling them on the steps of churches in order to survive. After a few years, he left for Italy. In the late 1840s the French government gave Gérôme a monumental commission to paint the massive Age of Augustus. In preparation for this commission, he traveled extensively in Europe and Asia Minor, documenting the customs of various regions. He spent two years working on the painting, tirelessly perfecting details of the various ethnic groups. With the money realized from this work, Gérôme indulged his wanderlust and spent several months traveling and sketching in Egypt. Gérôme’s highly finished mythological and history paintings were anecdotal, painstaking, often melodramatic, and frequently erotic. For the last twenty-five years of his life, he concentrated on sculpture. His studio became a meeting place for artists, actors, and writers, and he was appointed a professor at the École des Beaux-Arts. Gérôme became a legendary and respected master, noted for his sardonic wit, lax discipline, regimented teaching methods, and extreme hostility to the Impressionists.