Artist: Bertel Thorvaldsen (Thorwaldsen) (Danish,1770 – 1844)
Medium: Antique engraving on wove paper after the original bas relief by master engraver William Callio Roffe (British, 1817 – 1894; or after).
Signature: Signed in the plate.
Dimensions: Image Size 9 x 9 inches.
Framed Dimensions: Approximately 18 x 18 inches.
Framing: This piece has been professionally matted and framed using all new materials.
The reliefs Night and Day that hang opposite each other at the Museum, are Thorvaldsen’s most popular reliefs. As opposites they represent the two halves of a day, and together symbolise the wholeness of a day.
Bertel Thorvaldsen (Thorwaldsen) was a Danish sculptor of international fame, who spent most of his life (1797–1838) in Italy. Thorvaldsen was born in Copenhagen into a Danish/Icelandic family of humble means, and was accepted to the Royal Danish Academy of Art when he was eleven years old. Working part-time with his father, who was a wood carver, Thorvaldsen won many honors and medals at the academy. He was awarded a stipend to travel to Rome and continue his education. In Rome, Thorvaldsen made a name for himself as a sculptor. Maintaining a large workshop in the city, he worked in a heroic neo-classicist style. His patrons resided all over Europe. Upon his return to Denmark in 1838, Thorvaldsen was received as a national hero. The Thorvaldsen Museum was erected to house his works next to Christiansborg Palace. Thorvaldsen is buried within the courtyard of the museum. In his time, he was seen as the successor of master sculptor Antonio Canova. His strict adherence to classical norms has tended to estrange modern audiences. Among his more famous public monuments are the statues of Nicolaus Copernicus and Józef Poniatowski in Warsaw; the statue of Maximilian I in Munich; and the tomb monument of Pope Pius VII, the only work by a non-Catholic in St. Peter’s Basilica. Towards the end of 1843 he was prohibited from working for medical reasons, but he began to work again in January 1844. His last composition from 24 March was a sketch for a statue of the genie in chalk on a blackboard. At night he had dinner with his friends Adam Oehlenschläger and H. C. Andersen, and he is said to have referred to the finished museum saying: “Now I can die whenever it is time, because Bindesbøll has finished my tomb.” After the meal he went to the Copenhagen Royal Theatre where he died suddenly from a heart attack. He had bequeathed a great part of his fortune for the building and endowment of a museum in Copenhagen, and left instructions to fill it with all his collection of works of art and the models for all his sculptures, a very large collection, exhibited to the greatest possible advantage. Thorvaldsen is buried in the courtyard of this museum, under a bed of roses, by his own wish.