Charles Louis Müller was a French painter. He was the pupil of Léon Cogniet, Baron Gros and others in the École des Beaux-Arts. In 1837 he exhibited his first picture, Christmas Morning. From 1850 to 1853 he directed the manufactory of Gobelin tapestries. In 1864 he became a member of the Académie des Beaux-Arts of the Institut de France, succeeding Jean-Hippolyte Flandrin. He was a fecund producer of historic pictures and portraits. Among his works are “Heliogabalus” (1841), “Primavera” (1846), “Haydée” (1848), “Lady Macbeth,” and his masterpiece, “Calling Out the Last Victims of the Reign of Terror at the Prison of Saint-Lazare” (“Appel des dernières victimes de la Terreur dans la prison de Saint-Lazare,” with portraits of the most illustrious victims). Also notable are “Vive l’Empereur,” awarded a medal of the first class, it is based on a poem by Méry about an episode in the battle before Paris, March 30, 1814 (1855), “Marie Antoinette” (1857), “A Mass During the Reign of Terror” (1863), “Desdemona” (1868), “Lanjuinais at the Tribune” (1869), “The Madness of King Lear” (1875), “Charlotte Corday in Prison”[e] (1875), “Mater Dolorosa” (1877), “The Martyrdom of St. Bartholomew” and “The Massacre of the Innocents.” He executed frescoes for the Salle d’État in the Louvre,and for the ceiling of the Salon Denon, which still exist.[g]As a painter, he is more to be commended for clever drawing and composition than for his somewhat flat and mediocre coloring.