Artist: William Charles Thomas Dobson (English 1817 – 1898)
Title: The Happy Days of Job
Medium: Antique engraving on wove paper after the original by master engraver Herbert K Bourne (1825-1907).
Signature: Signed in the plate
Dimensions: Image Size 7 1/2 x 9 1/8 inches.
Framed Dimensions: Approximately 17 x 18 inches.
Framing: This piece has been professionally matted and framed using all new materials.
A group of figures in oriental dresses, with a man standing in the center, beckoning two women who fell on the ground in the left foreground, a child on the right giving a flower towards him, a couple behind whispering and an old man being carried away, an open window in the left background.
William Charles Thomas Dobson was an English painter. Dobson was born in Hamburg, the son of the merchant John Dobson, who had married in Germany. The family came to England in 1826, and Dobson was educated in London. He studied in the British Museum, and was taught by Edward Opie, nephew of John Opie. In 1836 he entered the Royal Academy Schools, and was instructed by Charles Lock Eastlake. Through Eastlake’s influence Dobson obtained a post in the government school of design established in the old Royal Academy rooms at Somerset House. In 1843 he became head-master of the government school of design in Birmingham, resigning in 1845, and went to Italy, where he spent most of his time at Rome. Moving on to Germany, he was impressed by the Nazarene school of that time. On returning to England he took up religious painting. Dobson was elected an Associate of the Royal Academy on 31 January 1860, and an academician in January 1872. He was a member of the Etching Club, founded in 1842. In 1870 he was elected an associate of the Royal Watercolour Society, of which he became a full member in 1875. He remained a constant exhibitor, both at the Royal Academy and at the Royal Watercolour Society, contributing about a hundred and twenty pictures to the former and about sixty to the latter. He was appointed a British juror for the Exposition Universelle, Paris in 1878 and was represented there by 3 watercolours. He became a retired academician in 1895, and died at Ventnor on 30 January 1898.