Artist: Adolphe Yvon (1817–1893) was a French
Title: A Shrine in Russia
Medium: Antique engraving on wove paper after the original by master engraver George C Finden (British, 1811-1885).
Signature: Signed in the plate.
Dimensions: Image Size 7 x 9 3/4 inches.
Framed Dimensions: Approximately 16 x 19 inches.
Framing: This piece has been professionally matted and framed using all new materials.
A man kneeling with hands clasped in prayer with a young woman beside him, holding a child on her knee, and a young man standing behind them at right with his hat in his hand, touching his forehead, in front of wooden roadside shrine at left, in which candles are burning; pair of shoes and a bundle in foreground at right; partly wooded hillside in background.
Adolphe Yvon was a French painter known for his paintings of the Napoleonic Wars. Yvon studied under Paul Delaroche, rose to fame during the Second Empire, then finished his career as a teacher. Shortly after the end of the Crimean War in September 1855, Yvon was commissioned by the French government to paint a large picture of the capture of the Malakoff at Sevastopol. He sailed for the Crimea on February 19, 1856, where he spent six weeks compiling a portfolio of sketches, as well as visiting the battlefield of Inkerman. In 1857, the finished painting La Prise de la tour de Malakoff 8 septembre 1855 was shown at the Paris Salon, and two years later came La Gorge de Malakoff, and La courtine de Malakoff. La Prise was a massive piece measuring 6 metres by 9 metres and represented the moment when the fortification was captured around midday. In the succeeding years, Emperor Napoleon III began to admire his battle scenes; naturally he glorified the carnage of Napoleon I’s campaigns. Yvon became an officer of the Légion d’honneur in 1867, and painted Napoleon III’s portrait the following year (unlocated). Yvon was known as the leading teacher of drawing at the École des Beaux-Arts (1863–83). A few Americans received instruction from him, including Christian Schussele, Alfred Wordsworth Thompson, William Sartain, and J. Alden Weir. The latter took Yvon’s afternoon life-drawing class starting in the fall of 1874. Alexander Stewart, the American collector, commissioned Yvon to paint The Reconciliation of the North and the South (lost) in 1870, as well as The Genius of America (1858, 1870). His Portrait of President Carnot (1888) appeared at the World’s Columbian Exposition.