Artist: Solomon Alexander Hart RA (British, 1806 – 1881)
Title: A Jewish Synagogue
Medium: Antique engraving on wove paper after the original by master engraver Ebenezer Challis (British, 1836-1864 fl).
Signature: Signed in the plate.
Dimensions: Image Size 7 5/8 x 9 1/2 inches.
Framed Dimensions: Approximately 17 x 19 inches.
Framing: This piece has been professionally matted and framed using all new materials.
Interior full of men and boys sitting, reading and teaching in carved stalls to right and on benches around a central space occupied by a rabbi who holds up the scroll of the Torah, while the women sit behind a balcony along the far wall, between two columns, with an ornate lamp hanging from the ceiling.
Solomon Alexander Hart RA was a British painter and engraver. He was the first Jewish member of the Royal Academy in London and was probably the most important Jewish artist working in England in the 19th century. He was born at Plymouth, the son of Samuel Hart (fl. 1785–1830), a Jewish engraver and teacher of Hebrew. After completing his basic education, he was apprenticed to another local engraver. Later, he became the first Jew to enroll at the Royal Academy. While there, he worked in a variety of styles from genre to historical scenes and practiced several engraving and sketching techniques. He especially excelled in miniatures. In 1826, he débuted at one of the Academy’s exhibitions with a portrait of his father. By 1840, he was successful enough to be accepted as a member of the Academy. The following year, he embarked on a study trip to Italy and spent a great deal of time in Florence. In 1854, he was appointed a Professor at the Academy and RA Librarian from 1864-1881. Although his early works were largely Jewish-themed, his exposure to Italian art (especially the works of Domenico Ghirlandaio in the Ognissanti) added motifs from church and monastery paintings. He also regularly provided illustrations for periodicals such as The Athenaeum and The Jewish Chronicle. He never married and, in his later years, gradually lost his eyesight, although he continued to paint as long as possible.