SIGNED 1800s Gustave DORE Biblical Woodcut “The Writing on the Wall” FRAMED COA

$1,049.00

Artist: Gustave Doré (Paul Gustave Louis Christophe Dore) (French, 1832-1883)
Title: Daniel Interpreting the Writing on the Wall (From Dore’s Bible)
Medium: Antique woodcut wove paper after the original by a master wood engraver Ad Ligny (French, active 1855 – 1876).
Year: c. 1880
Signature: Signed in the plate, lower left.
Condition: Excellent
Dimensions: Image size 7 3/4 x 9 3/4 inches.
Framed Dimensions: Approximately 17 x 19 inches.
Framing: This piece has been professionally matted and framed using all new materials.
At that moment the fingers of a human hand appeared and wrote on the plaster of the wall, near the lampstand in the royal palace. As the king watched the hand that was writing, his face grew pale and his thoughts so alarmed him that his hips gave way and his knees knocked together. The king called out for the enchanters, astrologers, and diviners to be brought in, and he said to these wise men of Babylon, “Whoever reads this inscription and tells me its interpretation will be clothed in purple and have a gold chain placed around his neck, and he will be made the third highest ruler in the kingdom.”So all the king’s wise men came in, but they could not read the inscription or interpret it for him. Then King Belshazzar became even more terrified, his face grew even more pale, and his nobles were bewildered. Hearing the outcry of the king and his nobles, the queen entered the banquet hall. “O king, may you live forever!” she said. “Do not let your thoughts terrify you, or your face grow pale. There is a man in your kingdom who has the spirit of the holy gods in him. In the days of your father he was found to have insight, intelligence, and wisdom like that of the gods. Your father, King Nebuchadnezzar, appointed him chief of the magicians, enchanters, astrologers, and diviners. Your own father, the king, did this because Daniel, the one he named Belteshazzar, was found to have an extraordinary spirit, as well as knowledge, understanding, and the ability to interpret dreams, explain riddles, and solve difficult problems. Summon Daniel, therefore, and he will give you the interpretation.” So Daniel was brought before the king, who asked him, “Are you Daniel, one of the exiles my father the king brought from Judah? I have heard that the spirit of the gods is in you, and that you have insight, intelligence, and extraordinary wisdom. Now the wise men and enchanters were brought before me to read this inscription and interpret it for me, but they could not give its interpretation. But I have heard about you, that you are able to give interpretations and solve difficult problems. Therefore, if you can read this inscription and give me its interpretation, you will be clothed in purple and have a gold chain placed around your neck, and you will be made the third highest ruler in the kingdom.” In response, Daniel said to the king, “You may keep your gifts for yourself and give your rewards to someone else. Nevertheless, I will read the inscription for the king and interpret it for him. As for you, O king, the Most High God gave your father Nebuchadnezzar sovereignty and greatness, glory and honor. Because of the greatness that He bestowed on him, the people of every nation and language trembled in fear before him. He killed whom he wished and kept alive whom he wished; he exalted whom he wished and humbled whom he wished.But when his heart became arrogant and his spirit was hardened with pride, he was deposed from his royal throne, and his glory was taken from him. He was driven away from mankind, and his mind was like that of a beast. He lived with the wild donkeys and ate grass like an ox, and his body was drenched with the dew of heaven until he acknowledged that the Most High God rules over the kingdom of mankind, setting over it whom He wishes. But you his son, O Belshazzar, have not humbled your heart, even though you knew all this. Instead, you have exalted yourself against the Lord of heaven. The vessels from His house were brought to you, and as you drank wine from them with your nobles, wives, and concubines, you praised your gods of silver and gold, bronze and iron, wood and stone, which cannot see or hear or understand. But you have failed to glorify the God who holds in His hand your very breath and all your ways. Therefore He sent the hand that wrote the inscription. Now this is the inscription that was written: Mene, Mene, Tekel, Parsin.
Paul Gustave Louis Christophe Doré was a French artist, printmaker, illustrator and sculptor. Doré worked primarily with wood engraving. Doré was born in Strasbourg on 6 January 1832. By age five, he was a prodigy troublemaker, playing pranks that were mature beyond his years. Seven years later, he began carving in cement. At the age of fifteen Doré began his career working as a caricaturist for the French paper Le Journal pour rire, and subsequently went on to win commissions to depict scenes from books by Rabelais, Balzac, Milton and Dante. Les Oceanides Les Naiades de la mer, 1860s In 1853, Doré was asked to illustrate the works of Lord Byron. This commission was followed by additional work for British publishers, including a new illustrated Bible. In 1856 he produced twelve folio-size illustrations of The Legend of The Wandering Jew, which propagated long standing anti-semitic views of the time, for a short poem which Pierre-Jean de Ranger had derived from a novel of Eugène Sue of 1845. In the 1860s he illustrated a French edition of Cervantes’s Don Quixote, and his depictions of the knight and his squire, Sancho Panza, have become so famous that they have influenced subsequent readers, artists, and stage and film directors’ ideas of the physical “look” of the two characters. Doré also illustrated an oversized edition of Edgar Allan Poe’s “The Raven”, an endeavor that earned him 30,000 francs from publisher Harper & Brothers in 1883. Doré’s illustrations for the Bible (1866) were a great success, and in 1867 Doré had a major exhibition of his work in London. This exhibition led to the foundation of the Doré Gallery in Bond Street, London. In 1869, Blanchard Jerrold, the son of Douglas William Jerrold, suggested that they work together to produce a comprehensive portrait of London. Jerrold had obtained the idea from The Microcosm of London produced by Rudolph Ackermann, William Pyne, and Thomas Rowlandson in 1808. Doré signed a five-year contract with the publishers Grant & Co that involved his staying in London for three months a year, and he received the vast sum of £10,000 a year for the project. Doré was mainly celebrated for his paintings in his day. His paintings remain world-renowned, but his woodcuts and engravings, like those he did for Jerrold, are where he really excelled as an artist with an individual vision. The completed book, London: A Pilgrimage, with 180 engravings, was published in 1872. It enjoyed commercial and popular success, but the work was disliked by many contemporary critics. Some of these critics were concerned with the fact that Doré appeared to focus on the poverty that existed in parts of London. Doré was accused by The Art Journal of “inventing rather than copying.” The Westminster Review claimed that “Doré gives us sketches in which the commonest, the vulgarest external features are set down.” The book was a financial success, however, and Doré received commissions from other British publishers. Doré’s later work included illustrations for new editions of Coleridge’s Rime of the Ancient Mariner, Milton’s Paradise Lost, Tennyson’s Idylls of the King, The Works of Thomas Hood, and The Divine Comedy. Doré’s work also appeared in the weekly newspaper The Illustrated London News. Doré never married and, following the death of his father in 1849, he continued to live with his mother, illustrating books until his death in Paris following a short illness. The city’s Père Lachaise Cemetery contains his grave. The government of France made him a Chevalier de la Legion d’honneur in 1861.

Customer Testimonials

Salvador
Salvador
I am so pleased with this purchase. I am always a little leary about buying old prints but this has been my favorite purchase and best experience in a long time. Thank you so much for the very high quality, the excellent price, the speedy delivery and a most fitting description. I am sooo pleased. Great doing business with you!!!!
Barry
Barry
A beautiful engraving done by my ancestor, artist JD Watson. Terrific price and super quick and safe shipping. A+++ seller.
Barry
Barry
A beautiful engraving done by my ancestor, artist JD Watson. Terrific price and super quick and safe shipping. A+++ seller.
Levinfl
Levinfl
Most excellent seller This is the focal point of my collection
Bobbi
Bobbi
The seller was totally accommodating about responding to questions and working out details about the framing. Exceptionally beautiful results!! Many thanks!!! The packaging was absolutely secure. A wonderful experience working with a conscientious professional.
Agarfield50
Agarfield50
The print arrived EXACTLY when the seller said it would; the quality was simply EXCELLENT; and the frame was SUPERB. I am so happy with this art work and will probably buy again. What a relief to find honest art dealers. Thank you.
 mtgtreasurecompany
mtgtreasurecompany
Great Gift!!!
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signed 1800s gustave dore biblical woodcut "the writing on the wall" framed coaSIGNED 1800s Gustave DORE Biblical Woodcut “The Writing on the Wall” FRAMED COA
$1,049.00