Artist: Benjamin Edward Spence (English, 1822–1866)
Medium: Antique engraving on wove paper after the original statue by master engraver Edwin Roffe (English, 1825 – 1891).
Dimensions: Image Size 3 1/4 x 8 1/4 inches.
Framed Dimensions: Approximately 11 x 16 inches.
Framing: This piece has been professionally matted and framed using all new materials.
Mary Morrison, a lover of the famous Scottish poet and lyricist Robert Burns, is the subject of this full-length sculpture by Benjamin Edward Spence. Their affair was popularized in the nineteenth century and became appealing to the Romantic Victorians because it combined elements of a tragic real story that had turned into national myth and legend. Mary Morrison is shown standing looking downwards wearing a long shawl over her head which she is gently grasping with her left hand around her neck. In her right hand she holds a book, possibly the Bible she had exchanged with her lover Robert Burns. To the left of her bare feet is a thistle.
Benjamin Edward Spence was an English sculptor, who spent much of his professional life in Italy. He was born in Liverpool in 1822, son of William Spence, a sculptor who later in life became a partner in a business house in Liverpool, and gave up the profession. At the age of 16 he made a portrait bust of William Roscoe, and in 1846 he was awarded the Heywood silver medal and a cash by the Royal Manchester Institution for a group in clay of the death of the Duke of York at the battle of Agincourt. His father was persuaded by John Gibson to send Spence to Rome. Here he entered the studio of Richard James Wyatt, and also received help from Gibson. He died at Livorno on 21 October 1866. Between 1849 and 1867 Spence contributed to the exhibition of the Royal Academy five times: in 1850 with “Ophelia”, in 1856 “Venus and Cupid”, in 1861 “Hippolytus”, and in 1867 “The Parting of Hector and Andromache”. He contributed “Highland Mary” to the Exposition Universelle 1855, and two works, “Finding of Moses” and “Jeanie Deans before Queen Caroline”, to the International Exhibition 1862.