Artist: Henry Weekes (English, 1807 – 1877)
Medium: Antique Engraving on wove paper after the original grouping by master engraver H.C Balding (British, 1869-1876 fl.).
Dimensions: Image Size 5 1/8 x 6 inches.
Framed Dimensions: Approximately 14 x 15 inches.
Framing: This piece has been professionally matted and framed using all new materials.
The Albert Memorial, directly north of the Royal Albert Hall in Kensington Gardens, London, was commissioned by Queen Victoria in memory of her beloved husband Prince Albert, who died in 1861. Designed by Sir George Gilbert Scott in the Gothic Revival style, it takes the form of an ornate canopy or pavilion 176 feet (54 m) tall, in the style of a Gothic ciborium over the high altar of a church, sheltering a statue of the prince facing south. It took over ten years to complete, the £120,000 cost (the equivalent of about £10,000,000 in 2010) met by public subscription. The memorial was opened in July 1872 by Queen Victoria, with the statue of Albert ceremonially “seated” in 1876. It has been Grade I listed since 1970.
Nationally recognized for his teaching and portraiture, Henry Weekes was one of the most successful sculptors of the mid-Victorian period in England. After an apprenticeship, he studied at the Royal Academy, where he won a silver medal for sculpture in 1826. He then joined the studio of Sir Francis Chantrey, the leading portrait sculptor of the period. Upon Chantrey’s death in 1841, Weekes took over the studio and completed many of the unfinished commissions, including an equestrian statue of the Duke of Wellington. By this time, Weekes already had earned his own reputation for portraiture: he was the first artist asked to execute a bust of Queen Victoria upon her accession to the throne. Throughout his career, Weekes was associated with the Royal Academy, first as student and then as an exhibiting member, finally becoming a professor in 1869. His lectures at the Academy covered a variety of topics, including Composition, Beauty, Idealism, and Portraiture; these were published after his death as Lectures on Art. His intellectual approach to art was expressed to his students through his oft-repeated hope: “I wish you to be thinking men.”