Artist: Alfred Louis Brunet Debaines (1845-1939)
Medium: Antique etching on thick laid paper.
Signature: Signed in the plate, lower left.
Dimensions: Image Size – 6 1/4 x 8 1/8 inches.
Framed Dimensions: Approximately 15 x 17 inches.
Framing: This piece has been professionally matted and framed using all new materials.
No one knows when Iffley was founded, but probably in the period 1000-1050 AD. Why it is built where it is, is possibly easier to predict. Iffley is the first place down river from Oxford which has a small hill. The River Thames was quite uncontrolled and had many branches and side streams and much of the surrounding ground would have been marshy and frequently flooded. It is likely that the hill, running to 295 ft, now known as Rose Hill and Iffley, was a desirable place to live, safe from any floods. Many other villages, above and below, are set back from the river to cater for floods. A water mill was built in the mid-11th century and it survived for almost 800 years. Originally owned by a series of Oxford burgesses, it was bought in 1445 by Lincoln College, Oxford, who owned it until it was destroyed by fire in 1908. It ground malt, barley, corn and other cereals and became a fulling mill for a short period in the 15th century. It was notorious for its arguments between bargees and millers, who being in possession of the lock, whether it was a flash or pound lock, could preserve their head of water, and not let it flow down river, by opening his gates, as long as he wished. The mill was picturesque and much painted, sketched and photographed. By the end of its life, better transport, canals, roads and railways, had its impact on its viability and money spent on upgrading the machinery was too late and probably too little.
Alfred-Louis Brunet-Debaines (5 November 1845 – 1939) was a French artist and printmaker who depicted street scenes and architecture, and who was the son of the architect Charles-Louis-Fortuné Brunet-Debaines. In 1863, he began his art studies at the Ecole des Beaux-Arts, Paris. During this period he learned etching techniques under masters such as Maxime Lalanne and Jules Ferdinand Jacquemart (1837-1880). Alfred Brunet-Debaines exhibited his first etchings at the Paris Salon in 1866. Around 1870, he was invited to England by writer and critic Philip Gilbert Hamerton who commissioned him to contribute original etchings to his publications, The Portfolio and Etching and Etchers. Brunet-Debaines thus spent a considerable part of his prolific career in London and Scotland, and regularly exhibited at the Royal Academy between 1872 and 1886. Museums in France and England include examples of his etchings in their permanent collections. In 1882, he was elected a member of the Royal Society of Painter-Etchers and Engravers. Museums in France and England include examples of his etchings in their permanent collections. Many of his works appeared in The Art Journal, an important Victorian annual dedicated to the visual arts and publishing original etchings by artists such as Axel Haig, James McNeill Whistler, Seymour Haden, Hubert von Herkomer, John MacWhirter, Birket Foster and others.