Artist: Sir George Gilbert Scott (English, 1811 – 1878)
Title: The Albert Memorial
Medium: Antique steel engraving on wove paper after the original by master engraver James Charles Armytage (English, 1802 or c. 1820 – 1897)
Signature: Signed in the plate, lower center.
Dimensions: Image Size 7 1/8 x 10 1/2 inches.
Framed Dimensions: Approximately 16 x 20 inches.
Framing: This piece has been professionally matted and framed using all new materials.
The Albert Memorial is situated in Kensington Gardens, London, directly to the north of the Royal Albert Hall. It was commissioned by Queen Victoria in memory of her beloved husband, Prince Albert who died of typhoid in 1861. The memorial was designed by Sir George Gilbert Scott in the Gothic Revival style. Opened in July 1872 by Queen Victoria, with the statue of Albert ceremonially “seated” in 1875, the memorial consists of an ornate canopy or pavilion, in the style of a Gothic ciborium over the high altar of a church, containing a statue of the prince facing south. The memorial is 176 feet (54 m) tall, took over ten years to complete, and cost £120,000 (the equivalent of about £10,000,000 in 2010). The cost was met by public subscription. The memorial has been Grade I listed since 1970. When Prince Albert died on 14 December 1861, at the age of 42, the thoughts of those in government and public life turned to the form and shape of a suitable memorial, with several possibilities, such as establishing a university or international scholarships, being mentioned. Queen Victoria, however, soon made it clear that she desired a memorial “in the common sense of the word”. The initiative was taken by the Lord Mayor of London, William Cubitt, who, at a meeting on 14 January 1862, appointed a committee to raise funds for a design to be approved by the Queen. The control and future course of the project, though, moved away from Mansion House, and ended up being controlled by people close to the Queen, rather than the Mayor. Those who determined the overall direction from that point on were the Queen’s secretary, General Charles Grey, and the keeper of the privy purse, Sir Charles Phipps. Later, following the deaths of Grey and Phipps, their roles were taken on by Sir Henry Ponsonby and Sir Thomas Biddulph. Eventually, a four-man steering committee was established, led by Sir Charles Lock Eastlake. Eastlake had overall control for the project until his death in 1865. An initial proposal for an obelisk memorial failed, and this was followed in May 1862 by the appointment of a seven-strong committee of architects. A range of designs were submitted and examined. Two of the designs (those by Philip Charles Hardwick and George Gilbert Scott) were passed to the Queen in February 1863 for a final decision to be made. Two months later, after lengthy deliberations and negotiations with the government over the costs of the memorial, Scott’s design was formally approved in April 1863.
Sir George Gilbert Scott, was an English architect, one of the most successful and prolific exponents of the Gothic Revival style during the Victorian period. Scott was apprenticed to a London architect and designed the first of his many churches in 1838; but his real artistic education dates from his study of A.W.N. Pugin’s works on medieval architecture. The first result of this study was his design for the Martyrs’ Memorial (1841) at Oxford. Scott won the competition for the Nikolai Church (1845–63) in Hamburg, Germany, with a design in 14th-century German Gothic. This commission launched his career and earned him an international reputation. Among his best-known works are the Albert Memorial (1863–72) and the Midland Grand Hotel (built c. 1872; later called St. Pancras Hotel) attached to St. Pancras Station, both in London. Scott’s significance rests partly on the sheer number of important buildings with which he was associated. Among the approximately 850 structures that he designed, restored, or otherwise influenced are almost 500 churches, 39 cathedrals and minsters, and many buildings for colleges and universities. Because he was the organizer and director of the largest English architectural firm of the period, Scott’s own individual designs are difficult to determine. The restoration of long-neglected medieval cathedrals and abbeys, which was one aspect of the Gothic Revival, was a controversial issue even in the 19th century; and Scott’s restoration of such famous monuments as Ely, Salisbury, and Lichfield cathedrals, as well as Westminster Abbey, has been regarded with mixed feelings by subsequent generations. Scott was knighted in 1872. Scott communicated his love of medieval architecture in his lively and opinionated writings. These include Remarks on Secular and Domestic Architecture, Present and Future (1857, 2nd ed. 1858), and Gleanings from Westminster Abbey (1861, 2nd ed. 1863). George Gilbert Scott, Jr., published his father’s Personal and Professional Recollections (1879), which has been reissued in facsimile with previously omitted material and a critical introduction by Gavin Stamp (1995).