Artist: Jean-François Millet (French, 1814 – 1875)
Title: Woman Spinning (La Femme qui file)
Medium: Antique heliogravure on laid paper after the original oil on panel.
Signature: Signed in the plate.
Dimensions: Image Size 6 1/4 x 8 1/4 inches.
Framed Dimensions: Approximately 15 x 17 inches.
Framing: This piece has been professionally matted and framed using all new materials.
Millet painted many images that focus on traditional rural activities, often imbuing the labor and laborers with dignity. In the original painting, a woman concentrates intently on her work, spinning flax in a shadowy, humble interior. The artist was especially interested in the subtle colors of worn and faded homespun fabric. The warm red of the woman’s shirt and the vibrant purple of the ribbon on the distaff enliven an otherwise muted color scheme.
Jean-François Millet, was a French painter renowned for his peasant subjects. Millet spent his youth working on the land, but by the age of 19 he was studying art in Cherbourg. In 1837 he arrived in Paris and eventually enrolled in the studio of Paul Delaroche, where he seems to have remained until 1839. After the rejection of one of his entries for the Salon of 1840, Millet returned to Cherbourg, where he remained during most of 1841, painting portraits. He achieved his first success in 1844 with The Milkmaid and a large pastel, The Riding Lesson, that has a sensual character typical of a large part of his production during the 1840s. The peasant subjects, which from the early 1850s were to be Millet’s principal concern, made their first important appearance at the Salon of 1848 with The Winnower, later destroyed by fire. In 1849, after a period of great hardship, Millet left Paris to settle in Barbizon, a small hamlet in the forest of Fontainebleau. He continued to exhibit paintings of peasants, and, as a result, periodically faced the charge of being a socialist. Letters of the period defending Millet’s position underline the fundamentally classical nature of his approach to painting. By the mid-1860s, Millet’s work was beginning to be in demand; official recognition came in 1868, after nine major paintings had been shown at the exposition of 1867. Important collections of Millet’s pictures are to be found in the Museum of Fine Arts, Boston, and in the Louvre.