Artist: William Henry Bartlett (British, 1809-1854)
Title: The Genesse Falls, Rochester
Medium: Antique Antique engraving on wove paper after the original by master engraver John Cousen (British, 1804-1880).
Signature: Signed in the plate.
Dimensions: Image Size 4 5/8 x 7 inches.
Framed Dimensions: Approximately 14 x 16 inches.
Framing: This piece has been professionally matted and framed using all new materials.
The High Falls are a waterfall on the Genesee River in the city of Rochester, New York. They are one of three waterfalls within the city; the Middle and Lower Falls are about 2 miles downstream. The High Falls area was the site of much of Rochester’s early industrial development, where industry was powered by falling water. Brown’s Race diverts water from above the falls and was used to feed various flour mills and industries; today the water is used to produce hydroelectric power. The High Falls may be viewed from the Pont De Rennes bridge, a pedestrian bridge that spans the Genesee River a few hundred feet from the base of the falls. The High Falls were the site of the final jump of “The Yankee Leaper” Sam Patch who died after jumping off of the High Falls in 1829. An abstract representation of the High Falls is used on the logo of Rochester New York FC as a symbol of the city.
William Henry Bartlett was a British artist, best known for his numerous steel engravings. Bartlett was born in Kentish Town, London in 1809. He was apprenticed to John Britton (1771–1857), and became one of the foremost illustrators of topography of his generation. He travelled throughout Britain, and in the mid and late 1840s he travelled extensively in the Balkans and the Middle East. He made four visits to North America between 1836 and 1852. In 1835, Bartlett first visited the United States to draw the buildings, towns and scenery of the northeastern states. The finely detailed steel engravings Bartlett produced were published uncolored with a text by Nathaniel Parker Willis as American Scenery; or Land, Lake, and River: Illustrations of Transatlantic Nature. American Scenery was published by George Virtue in London in 30 monthly installments from 1837 to 1839. Bound editions of the work were published from 1840 onward. In 1838 Bartlett was in the Canadas producing sketches for Willis’ Canadian scenery illustrated, published in 1842. Bartlett made sepia wash drawings the exact size to be engraved. His engraved views were widely copied by artists, but no signed oil painting by his hand is known. Engravings based on Bartlett’s views were later used in his posthumous History of the United States of North America, continued by Bernard Bolingbroke Woodward and published around 1856. William Henry Bartlett died of fever on board of a French ship off the coast of Malta returning from his last trip to the Near East, in 1854. Bartletts primary concern was to render “lively impressions of actual sights”, as he wrote in the preface to The Nile Boat (London, 1849). Many views contain some ruin or element of the past including many scenes of churches, abbeys, cathedrals and castles, and Nathaniel Parker Willis described Bartlett’s talent thus: “Bartlett could select his point of view so as to bring prominently into his sketch the castle or the cathedral, which history or antiquity had allowed”.