Artist: William Charles May (English, 1853 – 1931)
Title: Panthea and Abradatus
Medium: Antique engraving on wove paper after the original by master engraver William Callis Roffe (British, 1817-1902).
Dimensions: Image Size 4 5/8 x 7 1/4 inches.
Framed Dimensions: Approximately 14 x 16 inches.
Framing: This piece has been professionally matted and framed using all new materials.
Abradatas was a king, probably fictional, of Susa, known to us from Xenophon’s partly fictional biography of Cyrus the Great, the Cyropaedia. According to it, he was an ally of the Assyrians against Cyrus the Great, while Cyrus was still a vassal to his (also probably fictional) uncle, Cyaxares II. His wife Panthea was taken by Cyrus on the conquest of the Assyrian camp, while Abradatas was absent on a mission to the Bactrians. In consequence of the honorable treatment which his wife received from Cyrus, he was persuaded to join the latter with his forces. He fell in battle, while fighting against the army of Croesus, during the conquest of Lydia in 547 BC. Inconsolable at his loss, Panthea committed suicide, and her example was followed by her three eunuchs. Cyrus had a high mound raised in their honour: on a pillar on the top were inscribed the names of Abradatas and Pantheia in the Syriac characters; and three columns below bore the inscription skēptouchōn in honour of the eunuchs. The romance of Abradatas and Pantheia forms a significant part of the latter half of the Cyropaedia.
William Charles May was an English sculptor and painter active from about 1870 to 1931. He was regarded as a distinguished portrait sculptor. He studied at the Royal Academy Schools. His most famous works include his contribution to the Armada Memorial sculpture on Plymouth Hoe, a bust of king George V and painted portraits of Mr. Edmund Yates and Sarah Bernhardt. W. C. May was born in Chain Street, Reading, Berkshire, England in 1853, son of a butcher William May and Mary Ann May (nee Ball). It is said that Mary Ann was the great-grand niece of William Penn of Pennsylvania. He ran away from school and tried to join the Navy, but was refused. After that he went to work for as a butcher’s lad for Mr. Farrow, Mayor of Newbury. He then made his way to South Kensington, where he studied at the studio of Mr. Thomas Woolner R.A.. He studied for and passed the entrance exams to the Royal Academy School. While at Royal Academy School, he painted ‘A Warrior Bearing a Youth From Battle’ Later he studied with Raffaelle Monti and Jean-Baptiste Carpeaux. He was contemporary of Sir Alfred Gilbert RA. and Sir William Hamo Thornycroft RA. After leaving Royal Academy School, he set up shop in Hampstead (Frederick Street and later Rudall Crescent). He cast his own bronzes. The admiralty commissioned a bust of admiral Sir William May, for which they supplied three obsolete howitzers, to be used for the sculpture. The Art Journal commissioned him to do a classical sculpture ‘The Death of Panthea’. Samuel Hoare MP was an enthusiastic patron. At about the same time he was working on the ‘Armada Memorial’, he painted ‘In Ambush’ for barrister Mr. Irwin Cox MP and later painted a portrait of him. He was a friend of Raffaelle Monti, whom he helped with trophies and cups.